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| James Donald | University of New South Wales |
| Michael Renov | University of Southern California |
| © 2008 | 536 pages | SAGE Publications Ltd |
| Instructors | ||||
| For more information, please contact Customer Service at 1-800-818-7243 | ||||
| Individual Purchasers | ||||
| Hardcover | ISBN: | 9780761943266 | $150.00 | |
| Introduction | James Donald |
| Hooray for a Mickey Mouse Subject! | |
| PART ONE: MAPPING TRADITIONS | |
| North America | Dana Polan |
| European Film Scholarship | Ian Aitken |
| China | Stephanie Hemelryk Donald and Paola Voci |
| Cinema, Politics and Scholarship | |
| Our Films, Their Films | Brian Shoesmith |
| Some Speculations on Writing Indian Film History | |
| Film Research in Argentina | David Oubiña |
| Cinema Studies in Brazil | Ismail Xavier |
| Y Tu Crítica También | Carlos A. Gutiérrez |
| The Development of Mexican Film Studies at Home and Abroad | |
| Australia | Noel King, Constantine Verevis and Deane Williams |
| Postcolonial and Transnational Perspectives | Bhaskar Sarkar |
| PART TWO: DISCIPLINARY DIALOGUES | |
| Film and Philosophy | Murray Smith |
| Difficult Relations | Hamish Ford |
| Film Studies and Continental European Philosophy | |
| Cinema and Art History | Angela Dalle Vacche |
| Film Has Two Eyes | |
| Film and History | Vanessa R. Schwartz |
| Mass Media, Anthropology and Ethnography | Faye Ginsburg |
| Psychoanalysis and Cinema | Patrick Fuery |
| The Political Economy of Film | Tom O'Regan |
| TV's Next Season? | Lynn Spigel |
| Film and Cultural Studies | Graeme Turner |
| PART THREE: PARADIGMS IN PERSPECTIVE | |
| The Hollywood Industry Paradigm | Ruth Vasey |
| Formalist Tendencies in Film Studies | Warren Buckland |
| The Persistence of the Avant-Garde | Michael O'Pray |
| Film and (as) Modernity | Julian Murphet |
| Cinema/Ideology/Society | Jane Gaines |
| The Political Expectations of Film Theory | |
| `We Do Not Die Twice' | George Kouvaros |
| Feminist Perspectives in Film Studies | Alison Butler |
| Realism and Cinema | |
| Authors and Auteurs | John Caughie |
| The Uses of Theory | |
| Where Sound Is | Philip Brophy |
| Locating the Absent Aural in Film Theory | |
| The Question of Genre in Cult Film and Fandom | Matt Hills |
| Between Contract and Discourse | |
| Film Audiences | Jostein Gripsrud and Erlend Lavik |
| Re-Mapping Bollywood Cinema | Vijay Mishra |
| Film in the Context of Digital Media | Scott McQuire |
