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| D. Soyini Madison |
Northwestern University, USA
Northwestern University, USA |
| Judith Hamera |
Texas A&M University, USA
Texas A&M University, USA |
| © 2006 | 584 pages | SAGE Publications, Inc |
| Instructors | ||||
| For more information, please contact Customer Service at 1-800-818-7243 | ||||
| Individual Purchasers | ||||
| Hardcover | ISBN: | 9780761929314 | $125.00 | |
| Introduction: Performance Studies at the Intersections | D. Soyini Madison and Judith Hamera |
| Performance and Theory | |
| Part I Introduction: Performance Trouble | Della Pollock |
| 1. Stages: Queers, Punks, and the Utopian Performative | Jose Esteban Munoz |
| 2. Never, Again | Rebecca Schneider |
| 3. Performance and Globalization | Jon McKenzie |
| 4. Performance, Performativity, and Cultural Poesis in Practices of Everyday Life | Judith Hamera |
| Performance and History | |
| Part II Introduction: Performing History: A Politics of Location | Lisa Merrill |
| 5. Genealogies of Performance Studies | Shannon Jackson |
| 6. Memory, Remembering, and Histories of Change: A Performance Praxis | Della Pollock |
| 7. Minstrelsy and Mental Metempsychosis: Mid-Nineteenth Century American Women's Performance Criticism | Gay Gibson Cima |
| 8. What to Do When Nuclear War Breaks Out | Tracy C. Davis |
| Performance and Literature | |
| Part III Introduction: Performance of and Beyond Literature | Paul Edwards |
| 9. Shifting Contexts in Personal Narrative Performance | Kristin M. Langellier and Eric E. Peterson |
| 10. The Constructed Self: Strategic and Aesthetic Choices in Autobiographical Performance | Lynn C. Miller and Jacqueline Taylor |
| 11. The Strange Case of the Body in the Performance of Literature Classroom: An Enduring Mystery | Bruce Henderson |
| 12. On the Bias: From Performance of Literature to Performance Composition | Ruth Laurion Bowman and Michael S. Bowman |
| 13. Staging Paradox: The Local Art of Adaptation | Paul Edwards |
| Performance and Pedagogy | |
| Part IV Introduction: Performance and Pedagogy | Bryant Keith Alexander |
| 14. Fieldwork in the Performance Studies Classroom: Learning Objectives and the Activist Curriculum | Nathan Stucky |
| 15. Ambulant Pedagogy | Mady Schutzman |
| 16. Pedagogy on the Move: New Intersections in (Between) the Educative and the Performative | Greg Dimitriadis |
| 17. Unlocking the Doors for Incarcerated Women Through Performance and Creative Writing | Kristen Bervig Valentine |
| 18. The Politics and Ethics of Performance Pedagogy: Toward a Pedagogy of Hope | Norman K. Denzin |
| Performance and Ethnography | |
| Part V Introduction: Performance and Ethnography, Performing Ethnography, Performance Ethnography | Iya Omi Osun Olomo (Joni L. Jones) |
| 19. Dwight Conquergood's "Rethinking Ethnography" | D. Soyini Madison |
| 20. Rethinking Ethnography: Towards a Critical Cultural Politics | Dwight Conquergood |
| 21. Ethnography and the Politics of Adaptation: Leon Forest's Divine Days | Derek Goldman |
| 22. "She Attempted to Take Over the Choreography of the Sex Act": Dance Ethnography and the Movement Vocabulary of Sex and Labor | Barbara Browning |
| 23. Staging Fieldwork/Performing Human Rights | D. Soyini Madison |
| Performance and Politics | |
| Part VI Introduction: Performance and Politics: Themes and Arguments | Judith Hamera and Dwight Conquergood |
| 24. The Problem Democracy Is Supposed to Solve: The Politics of Community-Based Performance | Jan Cohen-Cruz |
| 25. Black Performance Studies: Genealogies, Politics, Futures | E. Patrick Johnson |
| 26. Lethal Theatre: Performance, Punishment, and the Death Penalty | Dwight Conquergood |
| 27. Who Is This Ancestor?: Performing Memory in Ghana's Slave Castle-Dungeons (A Multimedia Performance Meditation) | Sandra L. Richards |
| 28. The Polemics and Potential of Theatre Studies and Performance | Jill Dolan |
