"Its wide-ranging coverage and the quality of its contributions make French Cultural Studies an invaluable research and teaching resource for those working in French studies." Jean Duffy University of Edinburgh, UK
French Cultural Studies responds to the important changes that have affected the study of French culture, language and society in all sections of the education system. It provides a forum for the research into all aspects of modern French culture.
The study of literature has a place in the journal, but particular prominence is given to such areas as cinema, television, the press, the visual arts, popular culture and cultural and intellectual debate.
French Cultural Studies is available on SAGE Journals Online.
French Cultural Studies aims to attract the best current research in all areas of French and Francophone cultural practice and cultural history, from the Revolution to the present day, including, but by no means restricted to: intellectual and literary history and publishing; cultural policy and institutions, including museums; the mass media; popular culture, including popular music; sport; cinema, visual culture and art history; the history of music; linguistics in its cultural context; minority cultures; culture, science and technology; French culture in the world.
|Nicola Cooper||University of Northampton, UK|
|Ruth Cruickshank||Royal Holloway, University of London, UK|
|Jacqueline Dutton||University of Melbourne, Australia|
|Susan Harris||Queen Mary, University of London, UK|
|Michael Kelly||University of Southampton, UK|
|Herman Lebovics||Stony Brook University, USA|
|Philippe Poirrier||Université de Bourgogne, France|
|Dominic Thomas||UCLA, USA|
|Steven Ungar||University of Iowa, USA|
|Emma Wilson||Cambridge University, UK|
|Robert Abirached||Université de Paris X, France|
|Robert Aldrich||University of Sydney, Australia|
|Christophe Campos||Universite de Londres a Paris, France|
|T J Clark||University of California at Berkeley, USA|
|Alain Cresciucci||Université de Rouen, France|
|Peter Cryle||University of Queensland, Australia|
|Clive Emsley||Open University, UK|
|Elizabeth Ezra||The University of Stirling, UK|
|Jean-Louis Fabiani||Central European University, Hungary|
|John Flower||University of Kent, UK|
|Didier Francfort||Université de Lorraine, Institut d'Histoire Culturelle Européenne (Château des Lumières, Lunéville), France|
|Richard Griffiths||King's College, London, UK|
|Marie-Paule Ha||University of Hong Kong, Hong Kong|
|Jane Hiddleston||Exeter College, University of Oxford, UK|
|Lynn A. Higgins||Dartmouth College, USA|
|Shirley Jordan||Queen Mary, University of London, UK|
|Roderick Kedward||University of Sussex, UK|
|Philippe Lejeune||Université de Paris XIII, France|
|David Looseley||University of Leeds, UK|
|Colin Nettelbeck||The University of Melbourne, Australia|
|Pascal Ory||Université de Paris, France|
|Keith Reader||University of Glasgow, UK|
|Kristin Ross||New York University, USA|
|Leon Sachs||University of Kentucky, USA|
|Pierre Sorlin||Université de Paris III, France|
|Tyler Stovall||University of Berkeley, USA|
|Ludovic Tournès||Université Paris Ouest, France|
Manuscript Submission Guidelines: French Cultural Studies
Please read the guidelines below then visit the Journal’s submission site https://mc.manuscriptcentral.com/fcs to upload your manuscript. Please note that manuscripts not conforming to these guidelines may be returned.
Only manuscripts of sufficient quality that meet the aims and scope of French Cultural Studies will be reviewed.
There are no fees payable to submit or publish in this journal.
As part of the submission process you will be required to warrant that you are submitting your original work, that you have the rights in the work, that you are submitting the work for first publication in the Journal and that it is not being considered for publication elsewhere and has not already been published elsewhere, and that you have obtained and can supply all necessary permissions for the reproduction of any copyright works not owned by you.
- What do we publish?
1.1 Aims & Scope
1.2 Article types
1.3 Writing your paper
- Editorial policies
2.1 Peer review policy
2.5 Declaration of conflicting interests
- Publishing policies
3.1 Publication ethics
3.2 Contributor's publishing agreement
3.3 Open access and author archiving
- Preparing your manuscript
4.2 Artwork, figures and other graphics
4.3 Supplementary material
4.4 Reference style
4.5 English language editing services
- Submitting your manuscript
5.2 Information required for completing your submission
- On acceptance and publication
6.1 SAGE Production
6.2 Online First publication
6.3 Access to your published article
6.4 Promoting your article
- Further information
Before submitting your manuscript to French Cultural Studies, please ensure you have read the Aims & Scope.
French Cultural Studies is a fully peer reviewed international journal that publishes international research on all aspects of French culture in the Nineteenth, Twentieth and Twenty-First Centuries. Articles are welcome on such areas as cinema, television and radio, the press, the visual arts, popular culture, cultural policy and cultural and intellectual debate.
The SAGE Author Gateway has some general advice and on how to get published, plus links to further resources.
1.3.1 Make your article discoverable
When writing up your paper, think about how you can make it discoverable. The title, keywords and abstract are key to ensuring readers find your article through search engines such as Google. For information and guidance on how best to title your article, write your abstract and select your keywords, have a look at this page on the Gateway: How to Help Readers Find Your Article Online
French Cultural Studies adheres to a rigorous double-blind reviewing policy in which the identity of the reviewer and author are always concealed from both parties. Each manuscript is reviewed by at least two referees and all manuscripts are reviewed as rapidly as possible.
All parties who have made a substantive contribution to the article should be listed as authors. Principal authorship, authorship order, and other publication credits should be based on the relative scientific or professional contributions of the individuals involved, regardless of their status. A student is usually listed as principal author on any multiple-authored publication that substantially derives from the student’s dissertation or thesis.
All contributors who do not meet the criteria for authorship should be listed in an Acknowledgements section. Examples of those who might be acknowledged include a person who provided purely technical help, or a department chair who provided only general support.
Any acknowledgements should appear first at the end of your article prior to your Declaration of Conflicting Interests (if applicable), any notes and your References.
French Cultural Studies requires all authors to acknowledge their funding in a consistent fashion under a separate heading. Please visit the Funding Acknowledgements page on the SAGE Journal Author Gateway to confirm the format of the acknowledgment text in the event of funding, or state that: This research received no specific grant from any funding agency in the public, commercial, or not-for-profit sectors.
French Cultural Studies encourages authors to include a declaration of any conflicting interests and recommends you review the good practice guidelines on the SAGE Journal Author Gateway
SAGE is committed to upholding the integrity of the academic record. We encourage authors to refer to the Committee on Publication Ethics’ International Standards for Authors and view the Publication Ethics page on the SAGE Author Gateway
French Cultural Studies and SAGE take issues of copyright infringement, plagiarism or other breaches of best practice in publication very seriously. We seek to protect the rights of our authors and we always investigate claims of plagiarism or misuse of published articles. Equally, we seek to protect the reputation of the journal against malpractice. Submitted articles may be checked with duplication-checking software. Where an article, for example, is found to have plagiarised other work or included third-party copyright material without permission or with insufficient acknowledgement, or where the authorship of the article is contested, we reserve the right to take action including, but not limited to: publishing an erratum or corrigendum (correction); retracting the article; taking up the matter with the head of department or dean of the author's institution and/or relevant academic bodies or societies; or taking appropriate legal action.
3.1.2 Prior publication
If material has been previously published it is not generally acceptable for publication in a SAGE journal. However, there are certain circumstances where previously published material can be considered for publication. Please refer to the guidance on the SAGE Author Gateway or if in doubt, contact the Editor at the address given below.
Before publication, SAGE requires the author as the rights holder to sign a Journal Contributor’s Publishing Agreement. SAGE’s Journal Contributor’s Publishing Agreement is an exclusive licence agreement which means that the author retains copyright in the work but grants SAGE the sole and exclusive right and licence to publish for the full legal term of copyright. Exceptions may exist where an assignment of copyright is required or preferred by a proprietor other than SAGE. In this case copyright in the work will be assigned from the author to the society. For more information please visit the SAGE Author Gateway
French Cultural Studies offers optional open access publishing via the SAGE Choice programme. For more information please visit the SAGE Choice website. For information on funding body compliance, and depositing your article in repositories, please visit SAGE Publishing Policies on our Journal Author Gateway.
The preferred format for your manuscript is Word. LaTeX files are also accepted. Word and (La)Tex templates are available on the Manuscript Submission Guidelines page of our Author Gateway.
For guidance on the preparation of illustrations, pictures and graphs in electronic format, please visit SAGE’s Manuscript Submission Guidelines
Figures supplied in colour will appear in colour online regardless of whether or not these illustrations are reproduced in colour in the printed version. For specifically requested colour reproduction in print, you will receive information regarding the costs from SAGE after receipt of your accepted article.
This journal is able to host additional materials online (e.g. datasets, podcasts, videos, images etc) alongside the full-text of the article. For more information please refer to our guidelines on submitting supplementary files
French Cultural Studies adheres to the SAGE Harvard reference style. View the SAGE Harvard guidelines to ensure your manuscript conforms to this reference style.
Authors seeking assistance with English language editing, translation, or figure and manuscript formatting to fit the journal’s specifications should consider using SAGE Language Services. Visit SAGE Language Services on our Journal Author Gateway for further information.
Before submitting your manuscript, please ensure you carefully read and adhere to all the guidelines and instructions to authors provided below. Manuscripts not conforming to these guidelines may be returned. Typescripts can be in English or French.
French Cultural Studies is hosted on SAGE Track, a web based online submission and peer review system powered by ScholarOne™ Manuscripts. Visit https://mc.manuscriptcentral.com/fcs to login and submit your article online.
IMPORTANT: Please check whether you already have an account in the system before trying to create a new one. If you have reviewed or authored for the journal in the past year it is likely that you will have had an account created. For further guidance on submitting your manuscript online please visit ScholarOne Online Help.
They should be clearly typed using double spacing.
Covering letter: please attach to every submission a letter confirming that all authors have agreed to the submission and that the article is not currently being considered for publication by any other journal.
Format of mss: Each manuscript should contain:
(i) title page with full title and subtitle (if any). For the purposes of blind refereeing, full name of each author with current affiliation and full address/phone/fax/email details plus short biographical note should be supplied on a separate sheet.
(ii) abstract of 100-150 words
(iii) 5-8 key words
(iv) main text and word count - suggested target is about 6000 words. Text to be clearly organized, with a clear hierarchy of headings and subheadings and quotations exceeding 40 words displayed, indented, in the text
(v) end notes, if necessary, should be signalled by superscript numbers in the main text and listed at the end of the text before the references
As part of our commitment to ensuring an ethical, transparent and fair peer review process SAGE is a supporting member of ORCID, the Open Researcher and Contributor ID. ORCID provides a persistent digital identifier that distinguishes researchers from every other researcher and, through integration in key research workflows such as manuscript and grant submission, supports automated linkages between researchers and their professional activities ensuring that their work is recognised.
We encourage all authors to add their ORCIDs to their SAGE Track accounts and include their ORCIDs as part of the submission process. If you don’t already have one you can create one here
You will be asked to provide contact details and academic affiliations for all co-authors via the submission system and identify who is to be the corresponding author. These details must match what appears on your manuscript. At this stage please ensure you have included all the required statements and declarations and uploaded any additional supplementary files (including reporting guidelines where relevant).
Please also ensure that you have obtained any necessary permission from copyright holders for reproducing any illustrations, tables, figures or lengthy quotations previously published elsewhere. For further information including guidance on fair dealing for criticism and review, please see the Copyright and Permissions page on the SAGE Author Gateway
Your SAGE Production Editor will keep you informed as to your article’s progress throughout the production process. Proofs will be sent by PDF to the corresponding author and should be returned promptly. Authors are reminded to check their proofs carefully to confirm that all author information, including names, affiliations, sequence and contact details are correct, and that Funding and Conflict of Interest statements, if any, are accurate. Please note that if there are any changes to the author list at this stage all authors will be required to complete and sign a form authorising the change.
Online First allows final articles (completed and approved articles awaiting assignment to a future issue) to be published online prior to their inclusion in a journal issue, which significantly reduces the lead time between submission and publication. Visit the SAGE Journals help page for more details, including how to cite Online First articles.
SAGE provides authors with online access to their final article.
Publication is not the end of the process! You can help disseminate your paper and ensure it is as widely read and cited as possible. The SAGE Author Gateway has numerous resources to help you promote your work. Visit the Promote Your Article page on the Gateway for tips and advice. In addition, SAGE is partnered with Kudos, a free service that allows authors to explain, enrich, share, and measure the impact of their article. Find out how to maximise your article’s impact with Kudos.
Any correspondence, queries or additional requests for information on the manuscript submission process should be sent to the French Cultural Studies editorial office as follows:
Professor Nicholas Hewitt,
School of Modern Languages,
Department of Cultural Studies,
University of Nottingham,
Nottingham, NG7 2RD, UK.